A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
A joint exhibition to mark the centenary of the birth of Sir Kyffin Williams KBE RA 1918-2006 at Highgate Gallery, Highgate Literary and Scientific Institution (HLSI) and Highgate School Museum 14 September – 7 October 2018
Landscape and portrait painter, draughtsman, lecturer, cartoonist and raconteur, Sir Kyffin Williams KBE RA is one of the most famous figures in Welsh art. Highgate Gallery@HLSI and Highgate School Museum are co-hosting Kyffin 100: Paper to Palette Knife 14 September – 7 October 2018, the largest ever retrospective of Kyffin’s work outside Wales. We are delighted to be celebrating the centenary of his birth here in Highgate where Kyffin spent so much of his adult life.
Kyffin 100: Paper to Palette Knife explores the variety of his technique. On display at Highgate Gallery will be rarely seen drawings, watercolours and linocuts on loan from the National Library of Wales at Aberystwyth, which form part of their acclaimed exhibition Kyffin 100: Behind the Frame (#kyffin100). There are “plein air” sketches, watercolours, oils of Hampstead Heath, St Joseph’s and Athlone House, portraits of local people as well as Welsh scenes, sketches from his European travels and studies from his expedition to paint the Welsh community in Patagonia. Highgate School Museum will be showing works kindly loaned by private individuals and items borrowed from the National Library of Wales and Oriel Ynys Môn alongside its own collection: portraits, including a charming picture of his Bisham Gardens landlady, Miss Josling, and scenes from Wales and abroad, many dating from Kyffin’s London years.
Kyffin was art master at Highgate School for nearly thirty years and he also taught evening classes at the HLSI in the very hall displaying this exhibition. Local artist and fellow Slade School of Art pupil, Rosa Branson MBE, remembers his frequent and encouraging visits to her studio and their shared passion for work: hours and hours each day committed to perfecting their techniques. Ex-Highgate School pupil Stephen Benson writes,“ I can picture him coming into the art school with that characteristic loping stride more suited to the Welsh hills than north London. He wore a long khaki checked sports jacket with huge drooping pockets, more accustomed I suspect to holding dead birds and other game… We didn’t appreciate how lucky we were to sit at the feet of such a distinguished artist…. At the end of term we were allowed to put aside our clumsy still lives and listen to him recite with an exaggerated Welsh accent the famous lines from Under Milk Wood.”
Kyffin studied at the Slade School of Art (temporarily housed in the Ashmolean/Ruskin School of Art in Oxford during the war) between 1941 and 1944. He was senior art master at Highgate School from 1944 to 1973. In 1968 he gained a Churchill Fellowship to study and paint the Welsh community in Patagonia, South America.
His first solo exhibition in 1948 was at the prestigious London based Colnaghi Gallery. Further exhibitions followed in galleries in England and Wales. From 1969 to 1976 and again from 1992 he was president of the Royal Cambrian Academy. In 1974 he became a Royal Academician. He was awarded an Honorary Fellowship of University College Swansea in 1989, University College Bangor in 1991 and University College of Wales in Aberystwyth in 1992. A dedicated Kyffin Williams Gallery was opened at Oriel Ynys Môn in his native Llangefni in 2008. He received an OBE in1982 for his contribution to the arts and was knighted in 1999. He published two autobiographies Across the Straits (1973) and A Wider Sky (1991). A lifetime of paintings was bequeathed to the National Library of Wales, Aberystwyth, on his death in 2006.
Event: Friday 14th Sept 6-8.30pm: Reception to celebrate the opening of Kyffin 100: Paper to Palette Knife at Highgate Gallery, HLSI, 11, South Grove N6 6BS
Event: Friday 21st Sept 8pm: Lecture (doors open 7.30pm). Rian Evans, Guardian critic and author of Kyffin Williams: The Light and the Dark (2018) discusses the artist’s work. To book a place contact admin@hlsi.net or HLSI office 02083403340 or £5 entry on the door. Refreshments served.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
On 2 – 4 November, the Highgate Literary and Scientific Institution & the Highgate Gallery will throw open its doors to welcome 30 highly skilled designer/makers, exhibiting and selling their unique creations. As ever Handmade In Highgate is passionate about those who are passionate about making and creating their own unique work.
The Institute and gallery offer the perfect location and the perfect opportunity for visitors to meet, chat with and buy from some of the most talented and prolific artist/designer/makers working in the UK today.
For more information on the amazing designer/maker/artists participating in this year’s Handmade In Highgate, please see:
www.hand-made-in-highgate.com/exhibitors/
Friday 2nd November 5-9pm
Saturday 3rd November 10am-6pm
Sunday 4th November 11am-5pm
On 2 – 4 November, the Highgate Literary and Scientific Institution & the Highgate Gallery will throw open its doors to welcome 30 highly skilled designer/makers, exhibiting and selling their unique creations. As ever Handmade In Highgate is passionate about those who are passionate about making and creating their own unique work.
The Institute and gallery offer the perfect location and the perfect opportunity for visitors to meet, chat with and buy from the some of the most talented and prolific artist/designer/makers working in the UK today.
For more information on the amazing designer/maker/artists participating in this year’s Handmade In Highgate, please see:
www.hand-made-in-highgate.com/exhibitors/
Friday 2nd November 5-9pm
Saturday 3rd November 10am-6pm
Sunday 4th November 11am-5pm
On 2 – 4 November, the Highgate Literary and Scientific Institution & the Highgate Gallery will throw open its doors to welcome 30 highly skilled designer/makers, exhibiting and selling their unique creations. As ever Handmade In Highgate is passionate about those who are passionate about making and creating their own unique work.
The Institute and gallery offer the perfect location and the perfect opportunity for visitors to meet, chat with and buy from the some of the most talented and prolific artist/designer/makers working in the UK today.
For more information on the amazing designer/maker/artists participating in this year’s Handmade In Highgate, please see:
www.hand-made-in-highgate.com/exhibitors/
Friday 2nd November 5-9pm
Saturday 3rd November 10am-6pm
Sunday 4th November 11am-5pm
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.
Image: Graffiti Theft No2 – spray paint transfer on cotton- 110x196cm. (c) SimonWilliams/Jakbox2018. All rights reserved
Archway-based artist Simon Williams’ work questions the relationship that we have with the world, inviting us to rediscover and appreciate beauty in our environment that might otherwise be overlooked. The viewer is encouraged to explore and reappraise objects, textures and surfaces that Simon believes are powerful, “full of history and memories”. He has a deep appreciation for the “accidental aesthetics” created by the city, the marks that industry, commerce and everyday life leave behind.
Whether their origins are in the local streets like the ‘Pavement’ series or in a domestic setting such as the ‘Marking Time’ series, Simon is fascinated with the impact of time on the objects around us. He uses of a wide range of materials and media – including silicone, wood, metal and paper – which reveal the different forms that beauty can take, depending on the relationship the viewer shares with, or the feelings they project onto, those objects. The materials can be industrial, like metal, then subjected to chemical erosion, or created by inks or graphite on paper, recreating natural marks made by time. These works are shown alongside the “ready-mades” or found objects, and demand a response from the viewer.
Engaging with the viewer has always been an important element in Simon’s work. Whilst studying architecture at Liverpool University Simon worked as a pavement artist, and was voted Time Out’s ‘Street Artist of the Year’ in 1987. He also started designing theatre posters for the Liverpool Playhouse, which was the beginning of a successful career in the field, as he subsequently established his own studio which was rebranded as ‘Feast’ in 2005 and is based in Camden. In 2018 the poster image for ‘Harry Potter and the Cursed Child’ was given the ‘Best Theatre Poster Award’ of all time by ‘What’s on Stage’.
During this time Simon has always had other artistic work going on, whether sculptures, photographic documentary work, a conceptual project called ‘Under the Hammer’ – a project of 17 weekly art auctions inspired by different famous artists – or collaborative work with the JakBox creative team in his Camden studio. He created the ‘Points of View’ concept in 2009 which directs the public’s gaze from the pavement to unusual viewpoints or juxtapositions, turning the urban landscape itself into a work of art. In 2015 JakBox was commissioned by Camden Council to create a ‘Points of View’ in Cobden Junction near Mornington Crescent. Finding interest or beauty in what might otherwise be ignored or considered mundane is also a preoccupation in this highly original show at Highgate Gallery.
See also the website: JakBox.co.uk. Simon has had two short pieces on London Live:
http://www.jakbox.co.uk/news/london-live-feature
https://www.youtube.com/watch?v=DqcEMWNeeao
Exhibition continues until 21 March.